Mani Fok Names Most Troublesome Artist and Reveals Nicholas Tse’s Van-Punching Incident

Hong Kong Entertainment • Celebrity News

Mani Fok Reveals the Most Troublesome Artist She Managed and Shares Nicholas Tse’s Explosive Temper Story

Mani Fok Manifest show, most troublesome artist Steven Cheung, Nicholas Tse nanny van punch, and behind-the-scenes Hong Kong entertainment secrets

Mani Fok Names Most Troublesome Artist and Reveals Nicholas Tse’s Van-Punching Incident


Veteran Hong Kong entertainment executive and celebrated talent manager Mani Fok has opened up about some of the most challenging moments of her career in the premiere of her new personal program Manifest. During a Mid-Autumn Festival gathering with Emperor Entertainment artists, she identified the most troublesome artist she ever managed and also recalled a fiery incident involving Nicholas Tse that left a company vehicle damaged.

The Mid-Autumn Gathering and Honest Conversation

The first episode of Manifest featured a warm “Emperor Mid-Autumn family dinner” attended by Joey Yung, Kenny Kwan, Angela Hui, and Mike Tsang. While enjoying mooncakes and conversation, the group played a truth-telling game. Joey Yung posed a direct question to Mani: “Who was the most troublesome person you have managed?”

The atmosphere shifted as Mani turned toward Kenny Kwan and replied with a smile, “Your good friend… your former good friend.” Joey immediately understood and mouthed the name “Steven.” The reference was to Steven Cheung, Kenny’s former bandmate in the popular boy group Boy’z.

Forcing Steven Cheung Back to School

Mani explained that managing Steven during his student years proved especially difficult. She had to use company resources, including a dedicated driver, to ensure he attended school. Kenny was even enlisted to pose as his “cousin” to accompany him. Kenny confirmed the arrangement with a wry smile, admitting he was the one who escorted Steven to class.

Despite the elaborate efforts, Steven frequently found ways to escape. Mani described the recurring scene: the car would drop him off at the front entrance of the school, only for him to slip out the back door moments later. The anecdote drew laughter from the group while illustrating the lengths managers sometimes go to support young artists balancing education and early fame.

Nicholas Tse’s Temper and the Dented Nanny Van

The conversation also turned to Nicholas Tse, often referred to as the “big senior” of the Emperor roster. Joey Yung recalled a memorable incident in which a disagreement with Mani led to a dramatic display of frustration. According to Joey, Nicholas punched a company nanny van with such force that he left a visible dent in the vehicle.

Mani acknowledged the story, describing the young Nicholas as strong-willed and rebellious. She noted that when he disagreed with instructions, he would often do the opposite of what was requested. The incident with the van was significant enough that Mani temporarily stopped communicating with him, later reflecting that if he could dent a vehicle with a single punch, she preferred to avoid further confrontation.

Mani’s Long Career Managing Hong Kong Stars

As one of the most influential talent managers in Hong Kong entertainment, Mani Fok has guided the careers of numerous major stars, including Nicholas Tse, Joey Yung, the Twins, and Boy’z. Her reputation as a “golden manager” stems from decades of navigating the demanding industry while supporting artists through both professional breakthroughs and personal challenges.

The candid stories shared on Manifest offer a rare glimpse into the realities of artist management. They highlight the patience, creativity, and occasional frustration involved in shaping young talent, as well as the strong bonds that often form between managers and the artists they represent.

Why These Stories Resonate

Anecdotes about rebellious young stars and the efforts required to keep them on track remain popular with audiences because they humanize both the celebrities and the professionals working behind the scenes. Steven Cheung’s school-escape stories and Nicholas Tse’s temper reveal the less polished side of early fame, while Mani’s responses demonstrate the practical and sometimes humorous strategies managers employ.

By sharing these experiences in a relaxed Mid-Autumn setting, Mani has given fans an entertaining and insightful look at the history of Emperor Entertainment and the personalities who helped define Hong Kong’s entertainment scene in the early 2000s and beyond.

The premiere of Manifest has already delivered memorable moments, from the revelation of the most troublesome artist to the vivid recollection of Nicholas Tse’s powerful punch. As Mani Fok continues to share stories from her long career, audiences can expect more behind-the-scenes insights into the challenges and rewards of managing some of Hong Kong’s biggest stars.

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